THE ‘NATIONAL SOUL’ OF AN ‘ECUMENICAL’ MUSIC, THROUGH THE TIME…

Authors

  • Kalliopi Stiga
  • Eva-Maria V. Adam-Schmidmeier

Keywords:

music and national identity, Schumann, Febel, Kalomoiris, Theodorakis

Abstract

During our epoch of globalization where any national art is threatened, where any diversifying characteristic national element is absorbed under the flux of cultural homogenization, the relation between musical work and national identity as well as the role of the contemporary composer must be reviewed. In this article, we will examine the relation between musical work and national identity in the 19th century and 20th century, through a comparative critical analysis of musical works and literary texts, specifically chosen by representative composers of these periods, such as Richard Wagner, Robert Schumann, Manolis Kalomoiris, Mikis Theodorakis, etc. Secondly, we will define the musical elements that transformed their works – expressing the ‘national soul’– to ecumenical. Finally, we will highlight how the idea of ‘national identity’ is expressed nowadays through the works of Greek and German contemporary composers.

Downloads

Download data is not yet available.

References

Febel, R. (2004). Alles ständig in Bewegung. Texte zur Musik 1976–2003. Hrsg. von R. Nonnenmann (Quellentexte zur Musik des 20./21. Jahrhunderts, Bd. 11,1). Saarbrücken: Pfau.

Folkerts, G. (2005). The symphonic work of Mikis Theodorakis. Proceedings of the International Congress “Mikis Theodorakis: Man, Artist, Musician, Politician; Native of Crete and Citizen of the World”. Hania: Prefecture and Ministery of Culture, pp. 109–110.

Frangou-Psychopedis, O. (1990). Η Εθνική Σχολή Μουσικής. Προβλήματα Ιδεολογίας [The [Greek] National School of Music. Problems of Ideology]. Athens: Foundation for Mediterranean Studies.

Herder, J. G. (1774). Auch eine Philosophie der Geschichte zur Bildung der Menschheit. Riga: J. F. Hartknoch.

Krassanakis, A. Νεότερη Κρητική ιστορία [Recent Cretan History]. http://www.krassanakis.gr/Venizelos.htm

Neff, K. (1910). Einführung in die Musikgeschichte. Trans. b F. Anogoianakis as: Ιστορία Μουσικής. Athens: Votsis N., 1985.

Romanou, K. (2000). Ιστορία Νεοελληνικής Έντεχνης Μουσικής [History of Neo-Hellenic Art Music]. Athens: Koultoura.

Saijonmaa, A. (2005). Salutation. In: Proceedings of the International Congress “Mikis Theodorakis: Man, Artist, Musician, Politician; Native of Crete and Citizen of the World”. Hania: Prefecture and Ministery of Culture, p. 220.

Schumann, R. (1854). Niels W. Gade. In: R. Schumann. Gesammelte Schriften über Musik und Musiker. Leipzig. Reprint – Wiesbaden: Breitkopf & Härtel, 1985, S. 282–287.

Serézis, K. (2002). Μίκης Θεοδωράκης, ο οικουμενικός [Mikis Theodorakis: The Ecumenical]. Athens: Kastaniotis.

Stiga, K. (2006). Mikis Theodorakis: le chantre du rapprochement de la musique savante et de la musique populaire (Thèse de Doctorat, Vol. 3). Lyon: Université Lumière-Lyon II.

Theodorakis, M. (1972). Μουσική για τις μάζες [Music for the Masses]. Athens: Olkos.

Wagner, G. (2000). Mikis Theodorakis: Une vie pour la Grèce. Luxembourg: PHI.

Wagner, R. (1849). Die Kunst und die Revolution. Trans. by Tz. Mastoraki as: Η Τέχνη και η Επανάσταση. In: Wagner’s Cycle / Wagner and Greece. Athens: Athens Concert Hall and Educational Foundation of National Bank of Greece, 1992–1993, pp. 1–53.

Published

20.06.2024

Issue

Section

1ST THEME. MUSIC AND IDENTITIES: THE BALTIC SEA REGION IN THE 21ST CENTURY

How to Cite

THE ‘NATIONAL SOUL’ OF AN ‘ECUMENICAL’ MUSIC, THROUGH THE TIME…. (2024). Mūzikas akadēmijas Raksti, 8, 53–62. https://scriptamusica.lv/index.php/mar/article/view/230