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Vol. 8 (2011): Mūzikas akadēmijas raksti
Vol. 8 (2011): Mūzikas akadēmijas raksti
Published:
30.10.2011
Full Issue
SĒJUMS/FULL ISSUE
PRIEKŠVĀRDS/PREFACE (Latvian)
SATURS/CONTENTS
PAR AUTORIEM/ABOUT THE AUTORS (Latvian)
1ST THEME. MUSIC AND IDENTITIES: THE BALTIC SEA REGION IN THE 21ST CENTURY
ETHNICITY, NATIONAL IDENTITY, AND TRANSCULTURAL AWARENESS
Max Peter Baumann
7–24
PDF
PDF Kopsavilkums (Latvian)
LAI ATSKAN DZIESMAS : LATVIAN MUSIC AND CULTURAL IDENTITY IN TWENTY-FIRST CENTURY NEW ZEALAND
Dan Bendrups
25–33
PDF
PDF Kopsavilkums (Latvian)
THE ‘FINNISH TONE’ – PHENOMENON OR FACT? SOME REMARKS ABOUT EINOJUHANI RAUTAVAARA’S MUSIC AND AESTHETICS
Martin Knust
34–41
PDF
PDF Kopsavilkums (Latvian)
DYNAMICS OF IDENTITY IN RUSSIAN INSTRUMENTAL FOLK MUSIC CULTURE
Ulrich Morgenstern
42–52
PDF
PDF Kopsavilkums (Latvian)
THE ‘NATIONAL SOUL’ OF AN ‘ECUMENICAL’ MUSIC, THROUGH THE TIME…
Kalliopi Stiga, Eva-Maria V. Adam-Schmidmeier
53–62
PDF
PDF Kopsavilkums (Latvian)
CHANGES IN ESTONIAN MUSIC AND COMPOSER’S IDENTITY IN THE LAST DECADE OF THE SOVIET PERIOD
Anu Veenre
63–72
PDF
PDF Kopsavilkums (Latvian)
NEW APPROACHES IN RESEARCH OF GREGORIAN CHANT: ETHNOMUSICOLOGICAL ASPECT
Guntars Prānis
73–85
PDF
PDF Kopsavilkums (Latvian)
CONCEPTUALISATION OF KARELIAN AND FINNISH RUNIC HERITAGE: A CASE STUDY (BASED ON MUSICAL MATERIAL OF THE CANTATA KANTELETAR BY EDWARD PATLAYENKO AND THE ORATORIO KALEVALA BY ROMAN ZELINSKY)
Svetlana Sintsova
86–98
PDF
PDF Kopsavilkums (Latvian)
LATVIAN WOMEN COMPOSERS: GENDER IDENTITY AND RESEARCH PERSPECTIVE
Ilze Šarkovska-Liepiņa
99–109
PDF
PDF Kopsavilkums (Latvian)
SIGNS OF IDENTITY IN LITHUANIAN MUSIC OF THE BEGINNING OF THE 21ST CENTURY
Judita Žukienė
110–117
PDF
PDF Kopsavilkums (Latvian)
2ND THEME. NEW APPROACHES TO MUSIC ANALYSIS
PSYCHOANALYTICAL INQUIRES ON MUSIC. GUSTAV MAHLER’S ORCHESTRAL SONGS
Oana Andreica
118–129
PDF
PDF Kopsavilkums (Latvian)
READING MUSIC: FURTHER ADVENTURES IN CREATIVE MUSICOLOGY
John Kefala-Kerr
130–139
PDF
PDF Kopsavilkums (Latvian)
COMPUTER TECHNOLOGIES ON SERVE TO TEXTURE ANALYSIS FOR A PERFORMER
Marina Chernaya
140–149
PDF
PDF Kopsavilkums (Latvian)
TOWARDS AN ANALYTICAL THEORY OF HARMONIC COUNTERPOINT
Mart Humal
150–167
PDF
PDF Kopsavilkums (Latvian)
THE APPLICABILITY OF 20TH CENTURY ANALYTICAL METHODS FOR MUSIC OF ANY STYLE, INCLUDING JAZZ
Imants Mežaraups
168–178
PDF
PDF Kopsavilkums (Latvian)
FROM MIND TO EAR, MUSIC IN TRANSIT
Markos Lekkas
179–193
PDF
PDF Kopsavilkums (Latvian)
ASPECTS OF FORM-BUILDING OF PIERRE BOULEZ’S TOMBEAU IN THE CONTEXT OF AURAL AND SCORE ANALYSIS
Jānis Petraškevičs
194–207
PDF
PDF Kopsavilkums (Latvian)
TOWARDS THE ANALYSIS OF VERBAL TEXT INTELLIGIBILITY IN CONTEMPORARY VOCAL MUSIC
Gundega Šmite
208–216
PDF
PDF Kopsavilkums (Latvian)
THE STUDY OF THE LATVIAN CONCEPT MUSIC OF THE EARLY 21ST CENTURY. TERMINOLOGICAL ISSUE
Ieva Gintere
217–222
PDF
PDF Kopsavilkums (Latvian)
ALEXEI LOSEV’S APPROACH TO THE MEANING AND LANGUAGE OF MUSIC
Konstantin Zenkin
223–231
PDF
PDF Kopsavilkums (Latvian)
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