JĀZEPS VĪTOLS IN EUROPEAN MUSIC HISTORY. THE AESTHETIC BELIEFS AND STYLE COORDINATES OF THE DISTINGUISHED CLASSICIST

Authors

  • Jānis Kudiņš

Keywords:

Jāzeps Vītols, individual style, aesthetic orientation, European music history

Abstract

Analysing the creative work of Latvian classic Jāzeps Vītols, the issue of the perception of the composer’s music in the context of broader processes in the past has become more significant. Altogether, in the research interpretation of Vītols’ creative heritage, there is a notable lack of attempts to search for the answer to the question about what place and role does the Latvian classicist hold in Europe and in its entire space of creative thought development that could conclusively be called European music history. How might it be possible to define the creative contribution of Vītols the composer to the dominating aesthetic opinions and characteristic stylistic contexts that were dominant in Europe during his lifetime? While searching for an answer to this question, the author identifies three aspects in this paper.

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References

Dārziņš, Emīls (1909). Jozefs Vītols (noslēgums). Zalktis 7, 93.–125. lpp.

Hanslick, Eduard (1854). Vom Musikalisch-Schönen. Ein Beitrag zur Revision der Ästhetik der Tonkunst. Leipzig: Rudolph Weigel

Klotiņš, Arnolds (2013). Jāzeps Vītols kā mūzikas fundamentālists un universālists. Letonica 25. Rīga: LU Literatūras, folkloras un mākslas institūts, 95.–107. lpp.

Muške, Vija (sast.; 1964). Jāzeps Vītols. Raksti. Rīga: Latvijas Valsts izdevniecība

Muške, Vija (1974). Jāzeps Vītols – mūzikas kritiķis. Rīga: Zinātne

Vītols, Jāzeps (1929). Klods Debisī. Burtnieks 2, 148.–152. lpp.

Vītols, Jāzeps (1963). Manas dzīves atmiņas. Stokholma: Daugava

Published

31.05.2024

How to Cite

JĀZEPS VĪTOLS IN EUROPEAN MUSIC HISTORY. THE AESTHETIC BELIEFS AND STYLE COORDINATES OF THE DISTINGUISHED CLASSICIST. (2024). Mūzikas akadēmijas Raksti, 12, 13-22. https://scriptamusica.lv/index.php/mar/article/view/112